Utah Stories

Utah’s Other Choir

The Salt Lake Men’s Choir prepares for their spring concert.

|


Men's Choir v2Utah’s other choir, the Salt Lake Men’s Choir (SLMC) is one of the state’s oldest member-supported arts organizations. Started by thirteen men in 1982, the choir is an integral part of the history of Utah’s rich art culture as well as a cult favorite of Utahn’s of all ages and backgrounds. With an almost cult-like following, there have been hundreds of members that have come and gone over the years.

In chatting with choir members, many of them have fond memories from performances that stretch from Idaho to San Francisco, Washington, D.C., and Sydney, Australia among others. Like many choir members, I fulfilled my own need for self expression and camaraderie and joined the choir in the fall of last year. I was thrust into the rehearsal schedule of the annual (Christmas) Holiday Concert. I was an outsider trying to catch up with the rest of the group and completely intimidated by the talent around me. As a newbie, I was able to blend into the background and without pre-conceived notions and learn about this dynamic group of people that were on a mission to carry on a 34-year old legacy.

The foundation of the SLMC is a rich and colorful tapestry – comfortable and reliable, built from decades of personal sacrifice, dedication and talent laid down without end or reservation. These elders and founders of the group have also managed to pull together a patchwork of newer and vibrant pieces of cloth – represented by more youthful men that fortify this quilt with new and resilient threads made strong and proud by the sacrifices, struggles and loss of those that have sung so bravely and loudly before them.

The background, diversity and promise of the group is astonishing. The musical talent – from formal education and earned experience is on full display with each rehearsal and performance. The vocations of its members are as impressive as their personalities and backgrounds. There are international bankers, school teachers, hospital directors, environmental scientists, graphic artists, massage therapists, and full-time students with jobs that still find the time to contribute time and energy most people would not give up. Needless to say, their lives are full.

These men are not left untouched by the ups and downs of their traditional and non-traditional families including dramatic life changes, such as marriage and divorce, chronic illness and personal loss. From its origins and into the present, the personal losses are experienced more frequently than the general population – amplified as many choir members are also life partners and husbands.

The choir is a family, providing decades of friendship, support and acceptance. Whether for a season or a decade the commitment to its members never wavers and no contribution goes unrecognized. The take-away for its membership is universal in terms of artistic fulfillment and growth and a sense of belonging. The friendships that are forged go on outside the inner-circle of the choir and fulfill the original intention of an alternative to bars and unfriendly organizations.

SLMC1-300x199There is a tremendous amount of  work required to keep the SLMC thriving and viable. As a non-profit, we require the support of outside groups and a never-ending quest for grants and contributions from the community and private businesses. Formally, the choir is supported by the Salt Lake County Zoo, Arts and Parks program, the Utah Division of Arts & Museums and the Salt Lake City Arts Council. Beyond ticket sales, the choir fund-raises with bingo, chartered bus trips to Wendover – hosted by the hilarious and completely inappropriate Matrons of Mayhem, promotional assistance provided by Q Salt Lake and pianos from Daynes Music. Over the years, All Saints Episcopal Church has contributed rehearsal space without charge, and The First Baptist Church provides a performance venue with great acoustics.

We are led by the long-time artistic direction of Dennis McCracken, who is as gruff and stern as he needs to be to keep us focused during rehearsals and polished for performances. Whether he is delivering necessary correction when pushing the group to attain its potential – or is moved to tears when we do, he is the man we look to, literally, to make us shine at concert time.

Although seemingly tireless some of our leaders will eventually be moving on to enjoy much deserved R&R outside of their professional lives and immeasurable dedication to the SLMC. Our President, Wesley Brady, who has been with the choir since 1982 when it had 20 members, has led the group through decades of growth and challenges. He has seen our membership grow to 80 men-strong, has raised two sons (whom he used to bring to choir practice), and recently concluded a remarkable career with Shriners Hospital – which is also a philanthropic organization and by its nature comes with its own outside activities. On top of all of this, Mr. Brady served 20 years with the Utah Army National Guard.

Like the colors in the iconic rainbow flag, this tapestry that is the SLMC is made up of familiar faces that serve as symbols of pride and accomplishment. They, along with patches of bright new talent, and those that are so important to the present with their own years of service and support, will keep the SLMC flag vibrant and flying strong.

After performing at Kingsbury Hall, the Sydney Opera House and the 2002 Gay Games, among just a few, SLMC will thrive and stand up to time and personal challenges. Adding to its usual calendar of events, including our spring concert – “A Broadway Convention” with a clever program peppered with songs from Oklahoma, Chicago and South Pacific, SLMC will be adding a fall concert to its schedule and participate in this year’s Utah Pride Festival.

The aforementioned spring concert will take place on April 29 & 30 at the Salt Lake Masonic Temple at 650 East South Temple in SLC. Show time is 7:30 and tickets ($15) can be purchased online at brownpapertickets.com among other places. We can be found on Facebook, Instagram and saltlakemenschoir.org.BroadwayConvention_v03_1920x1080

Join our newsletter.
Stay informed.


  • Left in a Box as a Baby: Trauma, Alcoholism, and Addiction

    A man abandoned as a baby builds a structured life in law enforcement, but unresolved trauma and alcoholism slowly begin to unravel it. His story raises a harder question about how change actually happens.


  • The $7 Million Recruit: How NIL Changed College Athletics Forever

    In 2012, Jabari Parker, a top high school prospect and member of the Church of Jesus Christ of Latter-day Saints, was facing his biggest decision to that point in his life: where to play college basketball. 

    Fans of BYU athletics hoped and perhaps prayed that Parker would pick the school owned by the church he was raised in. BYU was listed as one of his final choices. But he ultimately chose to spend his college years at Duke before attempting a career in the NBA. BYU fans were disappointed, but no one was truly surprised. Duke over BYU was the best choice for a young prospect in 2012. 

    A.J. Dybantsa.

    What changed between 2012 and 2024 when A.J. Dybantsa, the number one high school prospect, chose BYU over every other school? The answer is roughly $7 million dollars. That is what Dybantsa is reportedly making to play basketball at BYU. 

    The deal was supported by Utah Jazz owner Ryan Smith, who met multiple times with the Dybantsa family in multiple attempts to bring the young player to Provo. 

    According to Smith, he had no financial role in bringing Dybantsa to BYU, but the influence of Utah’s most famous billionaire acting as a “booster” or unofficial recruiter certainly swayed the decision.

    Prior to 2021, boosters acting as recruiters was taboo to the NCAA governing body. It was called improper recruiting. But in 2021, California began the modern era of NIL, or the ability of a college athlete to benefit from their name, image, or likeness, when they passed the “Fair Pay to Play Act.” 

    This new law gave college athletes in California the ability to benefit from their NIL, something that was banned in the rest of the country to that point. The NCAA saw that this law would create an unfair advantage for California schools that could now give young athletes the chance to make money off their talent and image while still in college. 

    The NCAA knew they needed to do something quickly, so they rushed through a policy that opened up NIL to all college athletes in the country, and it has been expanding and evolving over the last four years. 

    Grant Duff, who has coached at the University of Utah, Weber State University, and is now the defensive coordinator for Idaho State University, says, “The best part of NIL is that athletes have an opportunity to make good money. The downside comes with the free-for-all that money causes.”

    Dybantsa confers with BYU Head coach, Kevin Young.

    One of the biggest current examples of what a school can do when the boosters are willing to pay for success is Texas Tech University. From 2020-2024, Texas Tech had 34 wins, which works out to 6.8 wins per year with a low of 4 wins and high of 8. Then Texas Tech’s boosters got involved, led by Cody Campbell, an oil industry businessman and Chairman of the Texas Tech board. The football program was given 28 million dollars for NIL with a simple message attached to the large pile of money: Win. And win now. And win they did. 

    By signing NIL deals with athletes in the transfer portal, Texas Tech went from a middle-of-the-pack school in their conference to one of the top 12 teams in the country. They didn’t just win games in 2025, they made many of their opponents look like they didn’t belong on the same field, including the University of Utah and BYU twice. That is what money can buy.

    Continue reading and support independent Utah journalism with a purchase of Utah Stories (Digital + Print) or 3 month free trial (Digital).


  • Cottonwood Heights Corruption Allegations: A Case That Never Reached a Courtroom

    A year ago, we here at Utah Stories recorded a podcast episode that we never published. We were revisiting corruption allegations from ten years ago. We decided not to publish the video, so it sat there on YouTube for nearly 12 months.

    Then somehow the video was published. How? We are not sure, but once it got out there, the comments came pouring in.

    Dozens of viewers, then hundreds, supported the video with their comments on our examination of allegations of police misconduct in Cottonwood Heights. The video recounts how the Police Department was reported by business owners as focusing enforcement on customers of the former Canyon Inn bar. These allegations did not result in a publicly documented, full investigation by Utah’s Justice Department nor the FBI (at least to our knowledge). So why rehash the past?

    We believe the story of The Canyon Inn (and other area business owners) vs. CHPD and Cottonwood Heights Mayor Kelvin Cullimore raises questions about what can happen when allegations surface and do not move forward through a formal legal process with state or federal oversight.

    In 2012, Cottonwood Heights business owners at the mouth of the canyons began publicly objecting to police activity whereby up to seven cruisers were pulling over 711 and Canyon Inn bar customers on their busiest evenings.

    According to those accounts, drivers leaving the bar were frequently pulled over by police and were given DUI tickets, sometimes even after passing a sobriety examination. The volume and concentration of those stops led residents and business owners to complain about the “heavy-handed treatment” of CHPD toward motorists, especially in and around the Canyon Inn and neighboring 711, and eventually the Porcupine Pub.

    Customers responded in predictable ways. Some chose not to return and avoid the area. Others went to different establishments. Over time, the owner of the Canyon Inn, Jim Stojack, stated that his revenue declined by 70% and that he believed police activity near his business was the main contributing factor.

    Utah Stories reported on these concerns by conducting interviews; gathering video documentation provided by those involved; and making public records requests. Through our GRAMA requests, we reviewed DUI citations issued by the Cottonwood Heights Police Department and examined how those cases were resolved in Holladay Justice Court. During that period, we observed a higher number based on our review of DUI cases dismissed in court due to lack of evidence compared to other jurisdictions. One DUI attorney, Tyler Ayers, went on record saying that CHPD was issuing a high volume of DUI citations that were later dismissed.

    That observation raised questions about how cases were being documented and prosecuted. It did not, on its own, establish intent or misconduct, but it became part of a broader set of concerns raised by multiple sources.

    Continue reading and support independent Utah journalism with a purchase of Utah Stories (Digital + Print) or 3 month free trial (Digital).


  • Why Did Salt Lake City Tear Down Its Most Beautiful Buildings?

    If you go into the Utah State Archives and spend time with photographs from the late 1800s and early 1900s, you start to notice something that doesn’t line up with what exists today.

    Main Street looks cohesive. Not in a uniform way, but in a way that suggests the people building it shared an understanding of proportion, material, and permanence. Four-story buildings line the street—stone, brick, cast iron—each one detailed in ways that don’t feel incidental. Arched windows, carved stone, brickwork that changes pattern as it rises. Even the cast iron facades were designed to replicate masonry, not hide behind it.

    Then you go downtown and try to find those same buildings.

    Most of them are gone.

    Out of more than 400 buildings designed by Richard Kletting, over 300 have been torn down. That number alone reframes the conversation. Kletting designed the Utah State Capitol, the Saltair resort, commercial buildings, schools, churches, mansions—virtually every type of structure…

    Continue reading and support independent Utah journalism with a purchase of Utah Stories (Digital + Print) or 3 month free trial (Digital).