Podcast

The Failure of Local Journalism Resulting in Rampant Corruption in Utah?

Is real journalism dead? Is print journalism dead? These questions have been circulating over the past twenty-something years in the journalistic community.  As a journalism major, all I heard when I told someone I was majoring in journalism was that I wouldn’t make any money and that news sources don’t print the truth anymore. This…

|


Is real journalism dead? Is print journalism dead? These questions have been circulating over the past twenty-something years in the journalistic community. 

As a journalism major, all I heard when I told someone I was majoring in journalism was that I wouldn’t make any money and that news sources don’t print the truth anymore. This can be exhausting to hear when you have a true passion and curiosity for telling stories. 

We invited Rhett Long, a long-time publisher in Utah, of papers such as the Daily Herald, Standard-Examiner, Provo Daily Herald, Spectrum Newspaper, and Spectrum Media on the Utah Stories podcast to discuss these questions. 

“We could do multi-part stories when I first entered the newspaper business. If it took a week to get the story right, it took a week. If it took a month, you put a month into it,” Long said. 

Journalism is multi-faceted, and although some critics think journalism is dead, point-blank period, some focus on local journalism facing the most significant hurdles and the biggest struggles. 

The hot topic and problem with journalism is fake news. Our country is divided politically, and sometimes it is difficult to tell whether the reporter’s bias makes the story “fake”. All in all, reading a story from multiple news sources and perspectives will help you determine the truth somewhere in the middle. 

How do you achieve a balance between journalistic integrity but also driving enough traffic and ad revenue to make a paper successful? 

“There’s a line that the investment of the product has to become more important than the bottom line…. The investment into storytelling is going to happen one way or the other, but it’s who’s going to do it right and be able to carry that,” Long said.

,

Join our newsletter.
Stay informed.


  • Whiskey, Bullets & a Buried Town: Archaeologists Reveal Alta’s Wild Past

    Before Alta was known for powder days and lift lines, it was a silver mining town clinging to the side of a narrow canyon. In the late 1800s, men lived at 8,000 feet, went underground each day, and endured winters that regularly buried buildings in snow. This past summer, that mining town resurfaced — literally — during construction at the Alta Ski Area.

    To understand what Alta really looked like, you don’t begin with legend. You begin with its trash — and this time, that happened almost by accident.

    Alta Ski Area was installing underground water reservoirs to support snowmaking. Because the project sits on Uinta-Wasatch-Cache National Forest land, an archaeologist was required to monitor the excavation. No one expected the trench to produce much.

    But, It did.

    Artifacts began surfacing almost immediately. Enough that the Forest Service contacted the Utah State Historic Preservation Office for help. Lexi Little, who coordinates the Utah Cultural Site Stewardship Program, helped mobilize nearly 30 volunteers to assist with what quickly became a focused two-week excavation.

    Winter deadlines were approaching. The pipes for the reservoirs had to go in the ground. There wasn’t time for a slow, extended dig.

    “It was two weeks of digging in the dirt and helping figure out exactly what we were looking at,” Little said.

    Most of the people screening soil weren’t professional archaeologists. They were trained stewards from around Utah — part of a statewide volunteer network that now approaches 500 people. They poured dirt through shaker screens, scanning for fragments that could piece together a town long buried.

    “Archaeology is human trash,” Little explained. “Archaeologists are very into trash.”

    Alta had left plenty behind.

    https://youtu.be/hzIHzx3OGoo?si=dKcl2CEz-t6FZzYw

    Victorian-style ceramics appeared first — the kind typically used in hotels. Medicine bottles followed. Ink bottles. Hand-blown glass. A porcelain doll’s foot surfaced from the soil, a small detail that shifted the mental image of the town. Families were here. Children were here. This wasn’t only a camp of miners.

    The bottles helped establish time. Manufacturing details — whether glass was hand-blown or mold-made, whether a maker’s mark appeared on the base — allowed archaeologists to date many of the artifacts to the 1870s through the 1890s, when Alta was booming as a silver mining town.

    “That gives you that range of dates for when Alta was really booming,” Little said.

    One reusable soda bottle clearly stamped “Salt Lake City” connected the canyon to the valley economy below.

    Then something unusual rolled out of a dirt pile.

    A corked bottle. Intact. Liquid still inside.

    Continue reading and support independent Utah journalism with a purchase of Utah Stories (Digital + Print) or 3 month free trial (Digital).


  • The Only Full Bottle of Alcohol Ever Found in Utah Was Unearthed in Alta

    When a backhoe rolled a corked bottle out of the dirt at Alta this summer, no one immediately grasped what they were holding. It wasn’t empty. It wasn’t shattered. It was full. “The bottle that was discovered up at Alta is the only bottle of alcohol ever discovered in an archaeological excavation in the state…


  • How Horses Help Kids Heal: Inside Utah’s Equine Therapy World

    Kelty Johnson trains horses for a living, but her deeper work happens in the quiet space between animal and human. On the Utah Stories podcast, she explains how equine therapy helps children regulate emotions, build confidence, and reconnect through presence rather than pressure.


  • Angela Brown: The Woman Behind SLUG Magazine and Craft Lake City

    Angela Brown is the publisher and owner of SLUG Magazine, one of the city’s longest-running independent publications and a central voice in Utah’s alternative arts and music scene. She is also the founder of Craft Lake City, a nonprofit that has grown into one of the state’s largest platforms for local makers and creative entrepreneurs.