Utah Stories

5 Things to do in Utah in March

What is happening in Utah during month of March? Skinny Tire Festival in Moab, 30th Annual Art and Soup Celebration, Red Butte Garden Spring Bonsai Show, 2018 Fort Buenaventura Easter Rendezvous, St. George Art Festival and more theater and family friendly events.

|


March Utah Happenings

March 10-13—Skinny Tire Festival in Moab. Four days of supported road cycling in the scenic western landscape of Moab, featuring 40-60 mile routes through Dead Horse Point State Park and the Colorado River Corridor. A portion of every registration benefits cancer research and survivorship programs. For more information, visit their website.

March 20-22—30th Annual Art and Soup Celebration. Presented by Community Nursing Services, the Art and Soup Celebration features original art by 52 Utah artists along with samplings of soups, desserts and baked goods donated by more than 20 local restaurants. Artists were selected from a variety of mediums including oil, watercolor, glass, ceramics, and more. Participating artists donate 30% of their sales to CNS Charitable Care Program, providing home health and hospice to thousands of uninsured and underinsured low-income Utahns across the state. Held each evening from 6pm-9pm at the Salt Palace Convention Center, 100 South West Temple, Salt Lake City. Tickets are available online and at the door.

March 24-25—Red Butte Garden Spring Bonsai Show. Discover Bonsai, the Japanese art of growing miniature trees in containers. Members of The Bonsai Club of Utah will exhibit different bonsai styles and arrangements, and offer demonstrations of training and shaping techniques. Trees and tools will also be available for purchase directly from the experts. Saturday from 9am-5pm & Sunday from 9am-3:30pm. Garden members: free. General public: regular garden admission.

March 29-April 1—2018 Fort Buenaventura Easter Rendezvous. Relive pre-1840s frontier history at the 32nd Annual Rendezvous. Held each year on Easter Weekend at the Fort Buenaventura Park, 2450 A Avenue, Ogden. Featuring shooting contests, recreation of fur trade gatherings, canoe races, primitive camping and more. Registration is required. Contact: 801-399-8491 or weberparks@gmail.com

March 30-31—St. George Art Festival. The festival will feature more than 110 amazing artists, talented entertainers, a wide array of delicious food, and much more. The kid’s area will have craft projects, games, face painting, petting zoo, and many fun activities. Town Square, 50 S Main Street, St. George. Hours: 10am-6pm. Click here for more information.

Utah Theater

Family Friendly

Hale Centre Theatre, Sandy
The Hunchback of Notre Dame
February 5–March 31
9900 South Monroe Street, Sandy

Hale Center Theater, Orem
The Little Mermaid
February 16–April 14
225 West 400 North, Orem

Off Broadway Theatre
The Little Miamaid
March 9–April 14
272 S Main Street, Salt Lake City

Desert Star Playhouse
Spamilton
March 22–June 2
4861 South State Street, Murray

Eccles Theater
Hamilton
April 11–May 6
131 South Main Street, Salt Lake City

Kingsbury Hall
Schoolhouse Rock! Jr.
March 23–24
1395 East Presidents Circle, Salt Lake City

CenterPoint Legacy Theatre
Little Mermaid
February 23–March 24
525 North 400 West, Centerville

Ballet West
Shakespeare Suite
April 13–21
Capitol Theatre, 50 West 200 South, Salt Lake City

Repertory Dance Theatre
Dabke
March 16–18
Rose Wagner Performing Arts Center, 138 West 300 South, Salt Lake City

Utah Children’s Theatre
Robin Hood
March 2–April 7
3605 South State Street, Salt Lake City

Ziegfeld Theater
Footloose
February 23–March 17
Ziegfeld Theater, 3934 South Washington Blvd., Ogden

Utah Symphony
Audra McDonald with the Utah Symphony
March 23–24
Abravanel Hall, 123 West South Temple, Salt Lake City

Pioneer Theatre
Twelfth Night
March 30–April 14
300 South 1400 East, Salt Lake City

Gallivan Center – Excellence in the Community
Changing Lanes Experience
March 19
Covey Center for the Arts, 425 Center Street, Provo

Mary G. Steiner Egyptian Theatre
Footloose
March 22–April 1
328 Main Street, Park City

Empress Theatre
Catch Me if You Can
March 30–April 14
9104 West 2700 South, Magna

Date Night

Salt Lake Acting Company
Fun Home
April 4–May 13
168 West 500 North, Salt Lake City

Utah Opera
Pagliacci/Gianni Schicchi
March 10–18
Capitol Theatre 50 West 200 South, Salt Lake City.

Plan-B Theatre Company
The Weird Play
March 1–11
Studio Theatre at the Rose Wagner Center, 138 West 300 South, Salt Lake City.

Grand Theatre
A View From the Bridge
March 21–April 7
1575 South State Street, Salt Lake City

Utah Repertory Theater
Straight
March 9–25
Sorenson Unity Center Black Box Theater, 1383 South 900 West, Salt Lake City

,

Join our newsletter.
Stay informed.


  • Artist Kate Kilpatrick Brings Utah’s History to Life Through Murals

    “I think we’re all interconnected; as individuals as well as societies,” Kilpatrick notes. Her work showcases those connections exuberantly, and whatever scale she’s working on, you can bet that in terms of energy and spirit, she’s painting large.


  • Dyslexia and ADHD in Kids: Why Some Students Struggle to Read in School

    That’s what led to my conversation with Donell Pons, a Utah-based dyslexia expert who has spent more than two decades working with students who struggle to read. What struck me right away is how often we get the problem wrong from the start.


  • Why Most People Stay Stuck in Business and What It Takes to Move Forward

    Every so often, you meet an immigrant who came here with almost nothing and managed to build something exceptional.

    Prakash Shah is the kind of man who has spent enough time around risk that he no longer treats it like an interruption.

    Today, he works in business brokerage and advisory, helping owners sell companies, helping buyers decide whether they should step in, and, when the fit is right, helping connect those buyers with private equity. He works in a world of valuations, leverage, due diligence, and hard questions that most people would rather postpone. He also operates in Utah real estate and has built a career around seeing value before it is obvious to everyone else. That is who he is now. What makes him interesting is how early that instinct started to form, and how little his life resembles the way most Americans are raised to think about comfort, career, and security.

    He grew up in Nepal in a boarding school system that would feel severe to many Americans. He was an only child, yet he saw his parents only twice a year for twelve straight years, until high school graduation. He lived inside routine. He shared space with boys from different social classes and different family circumstances. The school was structured enough that money did not buy you any special standing once you were inside. Everyone followed the same rules. Everyone was subject to the same discipline. In his case, it was an army school. Everything was measured. Everything was scheduled. In that kind of environment, you do not build your life around preference. You build it around adaptation.

    That contrast matters.

    A lot of American children are raised to search for what fits them. What are you passionate about? What do you enjoy? What feels right? Those are not bad questions, but they can create a habit of waiting for life to align itself before action begins. Prakash learned something else much earlier. He learned that life often does not align itself first. You enter the room as it is, you deal with the people in it, and you figure out how to function without making your comfort the center of every decision. He said that one of the biggest lessons from those years was tolerance, the ability to live with people from all walks of life and genuinely learn to get along with them. That is not a soft value. In business, it turns into resilience. In negotiation, it turns into patience. In career terms, it turns into range.

    When he came to the United States over 25 years ago, he did not arrive with the kind of runway that allows for a prolonged identity search. He came with two suitcases and enough money for one semester. He went to Hunter College in New York City, then to NYIT near Central Park, studying media and then media and technology management. He also studied psychology. Those details matter because they show something about his mind. He was interested in people before he built a career around deals. Even then, what attracted him was not technical prestige. It was understanding motives, behavior, and how people reveal themselves.

    But New York is merciless toward vague ambition. It demands payment in rent, transit, food, and time.

    Prakash worked constantly. He took multiple jobs. He paid tuition, paid rent, and skipped most of what Americans imagine as college life. There were no romantic years of drifting from café to concert to self-discovery. He talked about not having the luxury of dates, travel, or finding himself. He was working. Even laundry was not a small detail. In New York, he pointed out, you do not just throw clothes in a machine at home. You haul them to the laundromat, count quarters, and measure what is necessary. He also described distraction in a way that most native-born Americans probably do not think about. For immigrants, distraction is not always pleasure. Sometimes distraction is the constant pressure of competing needs. Tuition or rent. Food or savings. A better coat or another month of making do. He was not romanticizing the struggle. He was describing the arithmetic of it.

    That arithmetic did not make him cautious. If anything, it did the opposite.

    While in college, he had the option of safer analytical work. Instead, he took a sales job with Time Warner Cable that sent him into the South Bronx from 6 p.m. to 10 p.m. to knock on doors. He is not a physically imposing man. He knew exactly what kind of neighborhoods he was walking into. He described apartment buildings where people kept pit bulls, where tension was normal, where one mistake in tone or timing could end a conversation immediately. For most people, that kind of job would have been something to survive and forget. For him, it became a school in human behavior. “It’s not about talking… it’s about listening,” he said.

    One story from that period says almost everything about how he operates. He knocked on a door one night around 8:45 and found himself facing a huge man with a gun on the table, pit bulls nearby, and a half-eaten pizza in front of him. It had all the ingredients of a very bad scene.

    Continue reading and support independent Utah journalism with a purchase of Utah Stories (Digital + Print) or 3 month free trial (Digital).


  • Ancient Pyramid Discovered in Sugar House Park, Salt Lake City

    A Salt Lake City resident says he may have uncovered what he believes to be a buried structure beneath a well-known hill in Sugar House Park, raising questions that have drawn both curiosity and skepticism.