Utah Stories

Inspiring the Mind to Free the Body—Therapeutic Movement Classes for Seniors

Dance professors from the UofU and Tulane University team up to provide movement classes to provide symptomatic therapeutic benefits for issues of aging.

|


Seated dancing at a Minding Motion for Graceful Aging class.

“You make us feel young again!” Ms. Tomoko exclaims while stretching her hands high above her head. She had completed an energizing and nourishing creative dance class taught by Juan Carlos Claudio of Minding Motion for Graceful Aging. “Ms. Tommy”attends this class every week with the other residents in her memory care unit. As I witnessed her arousing testimony I knew she spoke for more than just herself. The gentlemen adjacent to her could not extend his limbs with as much mobility at Ms. Tommy, or speak as clearly, but the twinkle in his eyes and the smile stretching across his face might have reached as high as Ms. Tommy’s arms. This, to me, revealed he felt the same.

I have had the opportunity over the course of the summer to witness the founders of Minding Motion for Graceful Aging passionately advocate for the aging individuals in our communities. The founders include Juan Carlos Claudio, John Allen and Damon Georgelas. They have diligently sought to “inspire the mind to free the body” by providing artistically driven movement classes in independent living, assisted living and memory care facilities across the Salt Lake, Utah and Wasatch counties. They have developed a sensitive teaching approach based on extensive research to help individuals recover their sense of independence and self-worth and age gracefully.

Minding Motion for Graceful Aging’s philosophy includes the belief that through artistic movement one can guide individuals to reach their full potential. Juan likes to say, “We want to breath life” into the residents. They try to dispel common beliefs about aging such as “aging means you’re on the downhill,” “aging means setting lower expectations for yourself” or “aging means you have nothing left to give.” From the moment the lead instructor and assistant instructors enter the room their focus is to help individuals reach their full potential. They start by greeting the participants one-by-one and by name. They gently tune into each dancer and try to breath life into them through their voice, eye contact or a gentle touch. This practice allows the instructors to assess where each individual is emotionally, physically and cognitively before any movement exercise begins. Based on their keen assessment, the lead teacher pr ovides appropriately challenging movement and artistic experiences that push the dancers cognitively and physically, and relieve them emotionally. The teacher demonstrates everything full out and treats each resident as if they were capable of replicating it as fully as it was demonstrated.

Before joining Minding Motion for Graceful Aging I believed that aging residents deserved access to dance education and that engaging in artistic movement exercises could help them alleviate symptoms of medical conditions, and increase cognitive function, strength and mobility. But most importantly, I believed access to creative movement would allow them to thrive and find joy through artistic expression. Even with those beliefs I had assumed the movement phrases presented to the residents by Juan and John, the master teachers, would be simple and slow. I was wrong! Participants, even in memory care and Dance for Parkinson’s disease groups are encouraged to attempt challenging cross lateral movement, complex upper and lower body coordination, diverse energy qualities and interesting rhythmic patterns. While the movement phrases are often repeated several more times then you may expect in a regular creative dance class, the patterns are stimulating, challenging, and motivating for the participants.

The movement is representative of how Minding Motion for Graceful Aging sees each individual in their class. They do not see them as slow, dispirited or simple. They are treated as who they are: unique, complex and lively human beings. Residents still run along the rhythms of their own personality, and as a result have something unique and beautiful to share! One participant, Connie, was a gifted volleyball player for many years. While it is true she can’t remember all those years of training now, as she dances she transforms into a great coach. “You’re doing a good job!” she says as the dance phrase ends. Then she crosses her legs, places both hands on her knees, leans forward with humble authority and says to me “come back next week and I can help you some more.” Sam is a real charmer, he often looks unsure, his feet and hands don’t work well together yet, but he still meets my eyes, gives me his hand, and makes me feel like a real gem as we share a partner dance. Henrietta loves to sing! No matter the music coming from the speakers she shares her love of music by singing an Ave Maria over the music in her operatic voice! What a gift her voice and energy is to all of us (except perhaps the drowned out teacher).

Of course in their pedagogy Juan and John frequently address the concept of listening to one’s body and instruct participants to modify where injury and limitation do occur. John specifically discusses that he doesn’t believe “No Pain, No Gain.” He prefers, “No Pain, No Pain.” But he does verbalize to the participants that while we don’t want to go where there is pain, we do want to move into “discomfort” to fully access the therapeutic benefits of dancing. Whether they are pushing for a quicker heart rate or motivating residents to stretch a few inches further than they did the week before, these masterful teachers are helping individuals improve and grow physically, cognitively and emotionally. In fact, I am benefiting in all those areas as well. As an assistant in their classes I have witnessed how participants are truly “gracefully” dancing through the aging process. Minding Motion for Graceful Aging is for anyone at any stage of the aging process.

If you are interested in more information on the work this company is providing senior communities, visit the website www.mindingmotion.com

,

Join our newsletter.
Stay informed.


  • Highway 6 and the Midland Trail: Utah’s Transcontinental Highway History

    From Price Canyon to Delta’s desert stretch, Utah played a central role in building the Midland Trail, one of America’s earliest transcontinental highways and the foundation of today’s Highway 6.


  • Whiskey, Bullets & a Buried Town: Archaeologists Reveal Alta’s Wild Past

    Before Alta was known for powder days and lift lines, it was a silver mining town clinging to the side of a narrow canyon. In the late 1800s, men lived at 8,000 feet, went underground each day, and endured winters that regularly buried buildings in snow. This past summer, that mining town resurfaced — literally — during construction at the Alta Ski Area.

    To understand what Alta really looked like, you don’t begin with legend. You begin with its trash — and this time, that happened almost by accident.

    Alta Ski Area was installing underground water reservoirs to support snowmaking. Because the project sits on Uinta-Wasatch-Cache National Forest land, an archaeologist was required to monitor the excavation. No one expected the trench to produce much.

    But, It did.

    Artifacts began surfacing almost immediately. Enough that the Forest Service contacted the Utah State Historic Preservation Office for help. Lexi Little, who coordinates the Utah Cultural Site Stewardship Program, helped mobilize nearly 30 volunteers to assist with what quickly became a focused two-week excavation.

    Winter deadlines were approaching. The pipes for the reservoirs had to go in the ground. There wasn’t time for a slow, extended dig.

    “It was two weeks of digging in the dirt and helping figure out exactly what we were looking at,” Little said.

    Most of the people screening soil weren’t professional archaeologists. They were trained stewards from around Utah — part of a statewide volunteer network that now approaches 500 people. They poured dirt through shaker screens, scanning for fragments that could piece together a town long buried.

    “Archaeology is human trash,” Little explained. “Archaeologists are very into trash.”

    Alta had left plenty behind.

    https://youtu.be/hzIHzx3OGoo?si=dKcl2CEz-t6FZzYw

    Victorian-style ceramics appeared first — the kind typically used in hotels. Medicine bottles followed. Ink bottles. Hand-blown glass. A porcelain doll’s foot surfaced from the soil, a small detail that shifted the mental image of the town. Families were here. Children were here. This wasn’t only a camp of miners.

    The bottles helped establish time. Manufacturing details — whether glass was hand-blown or mold-made, whether a maker’s mark appeared on the base — allowed archaeologists to date many of the artifacts to the 1870s through the 1890s, when Alta was booming as a silver mining town.

    “That gives you that range of dates for when Alta was really booming,” Little said.

    One reusable soda bottle clearly stamped “Salt Lake City” connected the canyon to the valley economy below.

    Then something unusual rolled out of a dirt pile.

    A corked bottle. Intact. Liquid still inside.

    To access this post, you must purchase Utah Stories (Digital + Print) or 3 month free trial (Digital).


  • The Only Full Bottle of Alcohol Ever Found in Utah Was Unearthed in Alta

    When a backhoe rolled a corked bottle out of the dirt at Alta this summer, no one immediately grasped what they were holding. It wasn’t empty. It wasn’t shattered. It was full. “The bottle that was discovered up at Alta is the only bottle of alcohol ever discovered in an archaeological excavation in the state…


  • How Horses Help Kids Heal: Inside Utah’s Equine Therapy World

    Kelty Johnson trains horses for a living, but her deeper work happens in the quiet space between animal and human. On the Utah Stories podcast, she explains how equine therapy helps children regulate emotions, build confidence, and reconnect through presence rather than pressure.