Utah Stories

L’Deane Trueblood – Sculptor

At 86 years, L’Deane Trueblood, a nationally recognized artist makes her home in Utah, still sculpting away.

|


L’Deane Trueblood is a busy woman. Finding time for an interview was difficult because she was working on a new sculpture and needed to work out a problem: The eyes weren’t quite right and the feet were giving her trouble. At 86 she doesn’t have time to slow down.

L’Deane’s name came from her father. In an old love letter from  to her mother, she read how he had picked out a name for a little girl. He wanted to use the “L” from his middle name, Lawson, and combine it with her mother’s maiden name of Dean. Adding an apostrophe the name became L’Deane. The “e” on the end was courtesy of L’Deane herself who added it in the first grade.

It was also in the first grade when her artistic talent was recognized. When she handed in papers she included drawings of people and dogs. The teacher would display her papers for everyone to enjoy . Soon everyone started to refer to her as, “an artist.” L’Deane says, “You live up to that.”

She was born and raised in Oklahoma, but it wasn’t until high school that she took, what she refers to as, real art classes. She went on to get a college degree in art and that is where she also discovered a passion for sculpture.  28991-01 copy

When she got married and started raising a family her art career took a back seat. She dabbled by making clay busts of her children and had some commissions to do busts of other children. She worked in her kitchen at night after her kids were all in bed. At that time she was working in fired clay.

Then in 1973 the family moved to Utah and she found a foundry near Brigham Young University that was casting in bronze. Her first bronze piece was of Jacob Hamblin on horseback. It was purchased by the Church of Jesus Christ of Latter Day Saints for their museum of art and history.

2013-01-30

In 1993 she was “discovered’ by the Meyer Gallery in Santa Fe, New Mexico. “That is every artists aspiration,” she explains, “and they called me and wanted to represent me. It was kind of like hitting the jackpot.” The orders started coming fast and furious. Her work was featured in other galleries and she was getting so many invitations that she had to slow things down.

Her work is still featured at Meyer’s and her pieces still outsell any other artist. Vern Swanson of the Springville Museum named her one of the 100 most honored artists in Utah.  She credits Utah as a great place to be an artist saying there is a great support for artists here going back to Brigham Young. He used to send artists and musicians to Europe to study and bring their knowledge back to Utah.

For L’Deane, her work is indeed work. “People often say to me, ‘Oh it must be so relaxing to do what you do.’ Here’s the good news: It’s about as relaxing as shoveling dirt, but once you get started you can’t quit. Making art is about 80% problem solving, the rest of lots of practice, just like digging post holes”.

Her overall favorite piece  is one she did of soldiers entitled, “The Price of Freedom.” The work is displayed as a monument at the St. George cemetery, her current hometown, as well as cemeteries in South Jordan, Escalante and a city in Florida.

Known for her sculptures of children, her favorite is one of two children on a tricycle called “Hitching a Ride.” She modeled the children after her daughter, at age two, with her son driving.

L’Deane’s sculptures capture everyday moments frozen in time. Through facial expressions and natural compositions her bronze creations come to life.“Beach Party with Dreams”, is a sculpture of three children playing in the sand with buckets. It personifies the joy of childhood. And more than that it hints at future possibilities. Just like the artist herself, who still has more work to do and more art to bring to life.

29016_10151569775417228_755783312_n
L’Deane Trueblood at work Photo courtesy of L’Deane Trueblood’s website www.truebloodstudios.com

http://www.truebloodstudios.com/                                                      

 



Join our newsletter.
Stay informed.


  • Artist Kate Kilpatrick Brings Utah’s History to Life Through Murals

    “I think we’re all interconnected; as individuals as well as societies,” Kilpatrick notes. Her work showcases those connections exuberantly, and whatever scale she’s working on, you can bet that in terms of energy and spirit, she’s painting large.


  • Dyslexia and ADHD in Kids: Why Some Students Struggle to Read in School

    That’s what led to my conversation with Donell Pons, a Utah-based dyslexia expert who has spent more than two decades working with students who struggle to read. What struck me right away is how often we get the problem wrong from the start.


  • Why Most People Stay Stuck in Business and What It Takes to Move Forward

    Every so often, you meet an immigrant who came here with almost nothing and managed to build something exceptional.

    Prakash Shah is the kind of man who has spent enough time around risk that he no longer treats it like an interruption.

    Today, he works in business brokerage and advisory, helping owners sell companies, helping buyers decide whether they should step in, and, when the fit is right, helping connect those buyers with private equity. He works in a world of valuations, leverage, due diligence, and hard questions that most people would rather postpone. He also operates in Utah real estate and has built a career around seeing value before it is obvious to everyone else. That is who he is now. What makes him interesting is how early that instinct started to form, and how little his life resembles the way most Americans are raised to think about comfort, career, and security.

    He grew up in Nepal in a boarding school system that would feel severe to many Americans. He was an only child, yet he saw his parents only twice a year for twelve straight years, until high school graduation. He lived inside routine. He shared space with boys from different social classes and different family circumstances. The school was structured enough that money did not buy you any special standing once you were inside. Everyone followed the same rules. Everyone was subject to the same discipline. In his case, it was an army school. Everything was measured. Everything was scheduled. In that kind of environment, you do not build your life around preference. You build it around adaptation.

    That contrast matters.

    A lot of American children are raised to search for what fits them. What are you passionate about? What do you enjoy? What feels right? Those are not bad questions, but they can create a habit of waiting for life to align itself before action begins. Prakash learned something else much earlier. He learned that life often does not align itself first. You enter the room as it is, you deal with the people in it, and you figure out how to function without making your comfort the center of every decision. He said that one of the biggest lessons from those years was tolerance, the ability to live with people from all walks of life and genuinely learn to get along with them. That is not a soft value. In business, it turns into resilience. In negotiation, it turns into patience. In career terms, it turns into range.

    When he came to the United States over 25 years ago, he did not arrive with the kind of runway that allows for a prolonged identity search. He came with two suitcases and enough money for one semester. He went to Hunter College in New York City, then to NYIT near Central Park, studying media and then media and technology management. He also studied psychology. Those details matter because they show something about his mind. He was interested in people before he built a career around deals. Even then, what attracted him was not technical prestige. It was understanding motives, behavior, and how people reveal themselves.

    But New York is merciless toward vague ambition. It demands payment in rent, transit, food, and time.

    Prakash worked constantly. He took multiple jobs. He paid tuition, paid rent, and skipped most of what Americans imagine as college life. There were no romantic years of drifting from café to concert to self-discovery. He talked about not having the luxury of dates, travel, or finding himself. He was working. Even laundry was not a small detail. In New York, he pointed out, you do not just throw clothes in a machine at home. You haul them to the laundromat, count quarters, and measure what is necessary. He also described distraction in a way that most native-born Americans probably do not think about. For immigrants, distraction is not always pleasure. Sometimes distraction is the constant pressure of competing needs. Tuition or rent. Food or savings. A better coat or another month of making do. He was not romanticizing the struggle. He was describing the arithmetic of it.

    That arithmetic did not make him cautious. If anything, it did the opposite.

    While in college, he had the option of safer analytical work. Instead, he took a sales job with Time Warner Cable that sent him into the South Bronx from 6 p.m. to 10 p.m. to knock on doors. He is not a physically imposing man. He knew exactly what kind of neighborhoods he was walking into. He described apartment buildings where people kept pit bulls, where tension was normal, where one mistake in tone or timing could end a conversation immediately. For most people, that kind of job would have been something to survive and forget. For him, it became a school in human behavior. “It’s not about talking… it’s about listening,” he said.

    One story from that period says almost everything about how he operates. He knocked on a door one night around 8:45 and found himself facing a huge man with a gun on the table, pit bulls nearby, and a half-eaten pizza in front of him. It had all the ingredients of a very bad scene.

    Continue reading and support independent Utah journalism with a purchase of Utah Stories (Digital + Print) or 3 month free trial (Digital).


  • Ancient Pyramid Discovered in Sugar House Park, Salt Lake City

    A Salt Lake City resident says he may have uncovered what he believes to be a buried structure beneath a well-known hill in Sugar House Park, raising questions that have drawn both curiosity and skepticism.